Approaching the Sahara there's a sense of something accumulating.
It's hard to put a finger on it. It's certainly the anticipation of an eager tourist but there's something "other" as well.
Paul Bowles' novel features the Desert as a character. Without ever being overtly described or defined in the way you might do with flesh and blood characters the Sahara nonetheless acquires if not a personality then at least a foreboding presence. Port and Kit Moresby travel through this brooding landscape in the poignant demise of their erotic train wreck of a marriage and, as they approach the Sahara, the desert's menace overshadows their journey.
Bertolucci's Dorian depiction continues this theme and between them they inspired other artists including Sting whose music references The Sheltering Sky in the iconic Police song Tea in the Sahara.
All this formed the expectation and soundtrack I carried in my head as we approached The desert from the northwest.
For miles and miles the landscape flattens and harshens and you find yourself on a vast grey plain sporadically punctuated with ragged juniper bushes or wizened tufts of grass.
In the distance are the ubiquitous Atlas Mountains and here and there, teasingly, small sandy drifts begin to emerge from the grey gravel.
Curiously large numbers of quality hotels, not really auberges (hostels) as they are called in the region, appear in the towns approaching the desert. (These auberges are apparently aimed largely at the local (Moroccan) tourist trade with well to do families from Marrakech on day trip pilgrimage to the sand.)
To our southwest as we drove lay the disputed Algerian border and before us the golden dunes of Erg Chigaga rose slowly from the grey and featureless horizon.
Erg Chigaga, although a series of massive dunes, is but a taste of what lies beyond. Stretching 40 kilometers from west to east and between 10 and 15 kilometers north to south it would be straightforward to circumnavigate for the modern traveler. But these spectacular dunes also provide an ideal taste of the Sahara without the commitment needed to conquer a desert the size of the continental United States.
Along its northern rim auberge after auberge have been constructed. These far more modest ones bear splendid names like L'etoile Du Desert and Dunes d'Or and provide scant more than basic shelter in this powerful landscape.
Despite its inevitable commercialism Erg Chigaga is surreal.
The huge, mobile, golden dunes are ample testimony to the power and intrigue of the desert.
That this landscape inspired writers, film makers and musicians is far from surprising. Little wonder that Bowles, Bertolucci and Sting came quickly to mind.
Inevitably I did 'climb a high dune' though my prayers under the Islamic moon were somewhat diminished by the blinding sand born on a stiff southerly wind that also blew scattered clouds over the Sheltering Sky.
That I was able to drink 'Tea in the Sahara', dressed in full blue djalaba of the Berbers was not unduly tempered by that inevitable commercialism.